Sam Cutri with his live electronic performance setup following an immersive Soundful Experience
Selected work

Sound art · Live performance · 2024 to present

Sound Art
+ Live Works

Immersive sonic works shaped through live composition, voice, instruments, electronics, psychoacoustics and collective listening.

Live immersive performance, Western Australia

01 / The Work

Sound as a place
we enter together.

The performance is composed. The experience remains alive.

Sam Cutri’s sound art practice brings three decades of composition, production and performance into spaces designed for deep listening. Each work combines musical structure with the living conditions of the room, the audience and the moment.

Voice, guitar, percussion, electronics, harmonic resonance and spatial movement become more than musical materials. They shape attention, physical sensation, emotional movement and the shared experience of listening.

Audience gathered on the floor during a blue and red lit immersive sound performance
Live immersion · Restful Waters · Western Australia

02 / Current Practice

The Soundful
Experience

A continuing body of immersive sound works for live and digital audiences.

The Soundful Experience is the current expression of Sam’s practice, bringing composition, psychoacoustics, embodied attention, community facilitation and live performance into one evolving form.

Works unfold across intimate rooms, performance spaces, festivals, sporting environments and international online gatherings. The scale changes. The central enquiry does not: what becomes possible when people are given time, sound and permission to listen deeply?

Explore The Soundful Experience

03 / In Performance

Composed in the room.

Live electronics, instruments and projected image move as one performance environment.

Live performance study · electronics, projection and spatial sound

04 / Selected Works

Structures for
deep listening.

02

Resonance of You

Live performance · Body, sound and suspension

Listen on Insight Timer ↗

Created for an aerial movement setting, the work explores resonance as a meeting between sound, physical suspension, breath and attention.

05

MicroTones of The Soul

Real-time Soundful performance · Percussion, guitar and ambient textures

View the work ↗

First performed while closing the Brave New Works Festival in Denmark, Western Australia, this real-time Soundful performance builds percussion, guitar and ambient textures layer by layer. Subtle shifts between sound and silence invite listeners toward quiet emotion, inner movement and a more present state of awareness.

05 / Live Contexts

From intimate rooms
to collective scale.

Sam Cutri at his performance station with a festival audience resting throughout a pavilion
Festival immersionLive music, voice, electronics and collective rest
Sam Cutri with Fremantle Dockers AFLW players after a Soundful Experience session
Fremantle Dockers AFLWTeam recovery and restorative listening · 2026
Sam Cutri playing electric guitar beside a gong during Sonic Aurora
Sonic AuroraGuitar, gong, electronics and projected image · 2025
  • Insight Timer LiveWeekly international performances · 2025 to present
  • Wild Camp OutFestival performance · South West, WA
  • Brave New WorksMicroTones of The Soul · Festival closing performance · Denmark, WA
  • Restful WatersOngoing immersive works · Bedfordale, WA
  • Fremantle Dockers AFLWRecovery and restorative sound · 2026
Sam Cutri performing live with keyboard, controllers and laptop under green stage lighting

06 / Method

Musical craft.
Embodied attention.

The work begins with composition and remains responsive in performance. Technology is present, but never the subject. Its purpose is to move sound through the body, the room and the listening field with precision.

  • Voice and mantra
  • Guitar and live instruments
  • Percussion and pulse
  • Electronic composition and live processing
  • Spatial and bilateral movement
  • Binaural and isochronic relationships
  • Harmonic resonance and silence

07 / In Development

Work in progress · Research and development

Harmonic
Reckoning

A major new multidisciplinary performance work exploring how sound can carry lived experience, change, grief, love, identity, belonging and relational healing. At its centre is the difficult and necessary practice of listening across difference.

Current stage Concept and early development

The work is not yet complete. Its final score, collaborators, visual language, spatial design and presentation form will be developed through research, experimentation and shared creative practice.

The creative process

  1. Listen
  2. Gather
  3. Compose
  4. Collaborate
  5. Experiment
  6. Present

The career trajectory

  1. 30 years of practice
  2. Disciplines converge
  3. A new artistic language
  4. A major new work

A natural progression

Harmonic Reckoning grows directly from Sam’s life and work across recorded music, electronic performance, screen composition, cultural storytelling, public events, remote communities, education and immersive sound. These are not separate career chapters being assembled for one project. They are the foundation of an artistic language developed across three decades.

The work taking shape

Community voices, musicians, visual and digital artists, cultural advisors, psychoacoustic composition, spatial sound and responsive image will be brought into a shared performance environment. Listening comes first. Stories and voices will only enter the work through appropriate relationships, cultural authority, permission and attribution.

Emerging from The Soundful Experience and Sam’s wider cultural practice, the work asks how the lived experiences people carry, including grief, change, love, loss, identity, memory, responsibility and belonging, can enter a shared space without being simplified or resolved. It explores what becomes possible when people listen beyond certainty, defence and difference. It is a new work, but not a new direction. It is where the life’s work converges.

Continue Exploring

Thirty years.
Many forms.